This is yet another
set of difficult texts.
Before we go any further,
I want you all to hear me say
that if you have experienced divorce
and been shamed by someone
quoting this or similar passages—
that should never have happened to you,
and as a called and ordained minister
of the Church of Christ,
and by his authority,
I promise you that God is not mad at you,
you have not violated the scriptures
or the law of God,
and you have committed no sin.
For that matter,
if anyone has ever used this passage from Genesis
to shame you into submission;
or to tell you God designed marriage
for one man and one woman;
or that God created men and women
for certain societal roles
to which we must strictly adhere;
or that God is somehow offended
by people who experience their gender
as something other than
the sex they were assigned at birth;
if you have experienced any of these things,
then as a called and ordained minister
of the Church of Christ,
and by his authority,
I promise you that God is not mad at you,
you have not violated the scriptures
or the law of God,
and you have committed no sin.
While we are at it,
if anyone has argued from the book of Hebrews
that God has been displeased with the Jewish people,
has chosen the Church to replace the Jewish people
as God’s covenant people,
or that our Christian faith is in any way
superior to the Jewish faith,
then as a called and ordained minister of the Church of Christ
and by his authority,
I declare that this line of thinking is dead wrong,
antisemitic,
and anti-Christ,
and should be repudiated in the strongest possible terms.
You have sinned,
you must confess, repent,
and seek reconciliation.
God is not mad at the Jewish people,
the nation state of Israel is not the same thing
as the Jewish people,
and our Jewish neighbors are all our siblings
in a common ancestry of faith
as children of Abraham
and therefore as the children of God.
Now, with all of those disclaimers taken care of,
do y’all remember Fiddler on the Roof?
If you aren’t familiar,
the show is about Tevye,
a Jewish milkman
from the Russian village of Anatevka
who is navigating life with three daughters
for whom he must arrange suitable marriages,
while navigating the perils of being Jewish
in the pale of settlement in late Tsarist Russia
before the Bolshevik Revolution.
There are a couple of famous
showtunes from this work,
especially “Matchmaker,”
and “If I Were a Rich Man.”
But perhaps less famous
is the work’s prologue—
I mean who reads the prologue,
right?!
This song,
called “Tradition,”
tells of the precarious nature
of Jewish life
under threat of immanent persecution.
Tevye tells the audience,
“A fiddler on the roof.
Sounds crazy, no?
But in our little village of Anatevka,
you might say every one of us
is a fiddler on the roof,
trying to scratch out a pleasant, simple tune
without breaking our neck. …
And how do we keep our balance?
That I tell you in one word:
Tradition!”[1]
After the first rendition of the iconic chorus,
Tevye continues,
“Because of our traditions,
we've kept our balance for many years.
Here in Anatevka
we have our traditions for everything...
how to eat, how to sleep, how to work,
even how to wear clothes.
For instance, we always keep our heads covered
and we wear these little prayer shawls.
This shows our constant devotion to God.
You may ask,
how did this tradition get started?
I'll tell you—
I don't know.
But it's a tradition.
Because of our traditions,
everyone knows who he is
and what God expects him to do.”[2]
Sounds reasonable,
right?
Tevye just wants
what most of us want,
stability,
predictability,
a firm foundation,
some unchanging constant
around which to order our lives
so we can weather the storms
of chaos and change.
So,
we take this thinking to the scriptures,
this leather-bound volume
with its gilded edges
and embossing.
Surely this is the word of God
and surely God will tell us what to do.
We see a world in flux,
a changing society,
the weakening
or collapse
of once hallowed institutions
and we want some unchanging standard to anchor us
as the buffeting tide of vicissitude erodes
our sense of place in this world.
So,
we see a rising divorce rate
and younger folks choosing not to marry,
and marriages that our parents’ generation
would never have tolerated,
and we presume
this is not simply a rearrangement of priorities
or a symptom of unsustainable socio-economic conditions,
but rather
that this is an attack on the institution of marriage,
and our own marriage,
and an affront to God.
“See?!”
we argue,
“See, right there in Genesis?!
See, right there in Hebrews?!
See, right there in Mark?!
We’ve always done it this way.
God said to do it this way.
There is no other way.”
We want the Bible,
the black and white,
unchanging Bible
to be the last word,
the final arbiter
of right and wrong,
good and bad,
so we know who is in and who is out
and what God wants us to do
so we can get busy adhering to its rigid precepts…
Or maybe exploiting its loopholes.
But that is not how the Bible works.
Believe me;
I spent many years trying to make it work,
and it does not work.
There is no way to take the Bible literally
without choosing which texts are literal,
and which texts we would then have to ignore
and outright contradict
in order to take the other literally.
This is why Lutherans do not call the Bible
the word of God,
but say that the Bible contains the word of God,
that is,
the message about Jesus
(who is the Word of God made flesh),
and the truth of the Gospel
(which is that God is not mad at you),
and is the source of our preaching
(the proclamation of who Jesus is
and the truth that God is not mad at you).
Luther said that the Bible
is the manger
in which we find the babe.
In our Gospel reading,
when Jesus is confronted with the question about divorce,
he turns to the Hebrew scriptures,
asking,
“What does Moses say?”
and he goes on to interpret Moses’ provision
for a certificate of divorce
to have been allowed because of
“[their] hardness of heart.”
Moses then uses mercy to interpret the law,
permitting divorce
instead of trapping women
in an untenable situation
of being unwanted
and only freed by death.
Jesus then follows the same interpretive device,
superseding the letter of the law
with mercy,
to say that it was also wrong
to throw away a spouse
in an age when doing so
would have impoverished and imperiled the woman
who had no recourse
and would have suffered greatly.
To do so,
Jesus quotes our first reading,
but like a good Bible reader,
he backs up a chapter,
to read the first creation narrative in Genesis one,
reminding his hearers first
that both male and female
are created in the image and likeness of God
before then affirming the cultural norm
of the husband leaving his family
to make a new one.
Jesus reminds his hearers
that women are equal to men
and that the law should not be exploited
to privilege the men over the women.
Both Jesus and Moses use mercy to interpret the law,
and as the book of Hebrews tells us,
we might not have seen this truth in the law
had it not been for Jesus.
But because of Jesus,
we are freed as the people of God
from the way we have always done things.
We are free to practice mercy,
to grow in compassion and justice.
The unchanging nature of God
and therefore the calling of the Church,
is to be about the business of change,
moving us from the way things are,
through change, loss, and grief—
effecting and perfecting our salvation
through choosing this suffering—
until we come to recognize and trust
each tiny apocalypse
as the revelation of God’s very self—
that is,
until resilience in the face of apocalypse
becomes our tradition.
Over the course of Fiddler on the Roof,
we see that Tevye’s tradition
is often challenged,
and it is precisely his ability to be flexible,
to love his children,
and his faith,
at the same time,
that helped him survive the tide
of unwelcome change.
Explaining to his wife
that their middle daughter
had found her own match
and the pair would be moving to Kyiv
to make a new life,
Tevye says,
“Love, it’s the new style.”
Jesus,
and even Moses,
bring us this good news, too.
Love is the new style,
the superseding Spirit of the Law,
that allows us to love our children
and our spouses,
and our neighbors,
AND our faith,
and the Church,
and the Bible
at the same time.
God gives us the law
so we can know the character of God.
And when we practice love and mercy
we practice the character of God.
So let love be our style,
let mercy be our practice,
let love and mercy tell us
who we are
and what God expects us to do.
Let love and mercy be our new tradition.
Amen.
[1] https://genius.com/Original-broadway-cast-of-fiddler-on-the-roof-prologue-tradition-lyrics
[2] Ibid.